Until he corner loaded them, he sold them within a few weeks thereafter, it was chalk and cheese, they did not shout anymore. He has now sold the Avant Garde's and bought Sonus Faber Amati's, those certainly would not work close to any boundaries.Īnother friend was battling to shift a pair of Unison Research Max 1's he took as a trade in his shop. Like Martin Logans yet to her any of them where that does not bug me. Integrated tube amplifier Audio Note Cobra came in a discreet cardboard box, traditional for the company, but in a double and rather dense one.
Doing that certainly took the bite out of the Avant Garde Duos a friend had, the lagging bass from the active bass bin I could never get right or come to terms with. Horns work very well when in the corners or close to a wall. The La Scala can also work very well near the walls. The Bigger brothers the Crystal 2-40 which I also have is a rear ported 3 way and they just choke up in the corners. I have some Wharfedale Crystal 2-30's a 2 way non vented box with a passive woofer and they shine when stuffed into a corner. The Heresy's I had worked very well in a corner or close to a wall, where they were no longer a bit bass shy, placing them in the corners had no ill effects on the rest of the sound in any way. The Audio Notes are designed to be corner loaded, as are the Klipsch Horns & the Klipsch Cornwall = Corner/Wall, and the Voigt Corner Horn. Move them away form the walls and they sound anemic. I corner load my Cornscala Horns and the Klipsch KG 4's they just sound so mush better in the corners and no they do not bloat or boom. My room has a vaulted ceiling, and it certainly is the easiest room to get decent sound easily I have ever had. The same goes in equal of not more measure for all rooms.
#AUDIONOTE AMPLIFIER DRIVERS#
Toe in a Vivid Audio speaker and I realy want to stab those aluminum drivers not just think about it. Why do you have that opinion? Not all speakers behave the same.
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